The Portal 3: Steffy's Rubber AdventureFavorites [+]
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When we last left The Portal, two misbehaving boyfriends had been rendered into insignificant otherness at the hands of ruthless rubber Mistresses in parts one and two. In The Portal 3: Steffy’s Rubber Adventure, things take a slightly different turn but the otherworldly theme holds strong. The latest entry in this visually striking and brain-bending series from Gwen Media is as stylish and erotic as we’ve come to expect from one of the foremost fetish studios in the business. It’s safe to say you probably haven’t seen this much latex in one movie for a while.
Downtown in a city at night, a lanky, bespectacled man takes an elevator to his hotel room. We see him taking things out of his shaving kit, getting ready for bed, setting the alarm, and going to bed. All of these things are shown in black and white. When he turns out the light, the portal opens. The person who wakes up to the alarm is not the man we saw, but the gorgeous Isabella Sinclaire. She rises luxuriously from bed, slipping her feet into high heels. While she’s getting ready for the day we zoom in on a cage with January Seraph inside and a figure encased in inflated rubber strapped to the top. Isabella comes back, dressed to kill in a corset and skirt – in latex, as is every outfit in the film – and she starts to play with the figure on the cage, inflating a cock-like appendage. Next she releases January from the cage, pulling on her exposed nipples. She makes a lovely slave in her black underbust corset and dark green hood, with matching opera gloves and thigh-highs. January pours some lube into her hand and inserts it in the inflated “cock” tube, rooting around with her fingers and presumably stroking the anonymous person’s pleasure zone. Meanwhile Isabella begins to deflate the suit and they undo the straps. Isabella unzips the suit across the chest, revealing giant breasts made of rubber. Inside the inflatable suit, it turns out, there is still another layer of latex, like a much kinkier kind of Russian matryoshka doll. Isabella and January free their plaything completely from the inflatable outer suit and we see that the anonymous figure is Steffy. She’s the rubber doll alter ego of the traveling salesman, a kinky Kabuki-masked figure that presents a striking image. He went to bed in the world outside the portal and woke up as Steffy, in a whole new side of life where the pleasures will be limitless.
January takes Steffy into the bathroom, tenderly tucks the doll’s red bob wig under a shower cap, and leads her into the shower. She lovingly lathers Steffy up with a red shower pouf. It’s an erotic image, the sight of this beautiful slave girl paying special attention to Steffy’s black inflatable cock and those gigantic, gravity-defying rubber tits. After rinsing off the suds, January tucks the inflatable cock back into the zippered crotch pouch built into the suit. Even if showering scenes don’t normally do much for you, if you’re into latex you’re going to find your temperature and a few other things rising.
After the shower, it’s time to get Steffy ready for the day. In a walk-in closet that would be any latex fetishist’s wet dream, January selects a French maid’s uniform and helps Steffy put it on. It’s not easy to get latex over latex, after all. Once Steffy is suited up, it’s time for January to change into her outfit for the day, which consists of a black and creamy-yellow hood with corset-style detail around the neck, a creamy-yellow underbust corset, black crotchless leggings, knee-high ballet boots, mitts on her hands, and an inflatable black hood on top of the first one. January is now practically helpless, so Steffy helps her mince her way into a medical exam room and into the chair. Isabella arrives, looking hotter than ever in a black body suit, over which she dons a blue apron and gloves for the “exam” she and Steffy are about to perform. Isabella uses suction and clamps to tenderize and then torture January’s perky little nipples while her pussy is stuffed with an inflatable plug. Steffy helps administer electric shock to January’s pussy and later gives her the orgasm she deserves after all that torture, using a vibrator on her clit. The patient is of sound constitution and therefore up to the task of playing with the new rubber doll in the final scene.
Isabella and January strap Steffy into a straitjacket for the last act and strap her to a padded bench. January once again displays a fondness for the giant rubber tits, licking and fondling them while Isabella finishes fastening the straps. They unzip Steffy’s body suit and free the rapidly hardening cock – the real one this time – and the engorged balls. Isabella elaborately winds a rope around Steffy’s cock and balls, then she and January fasten two electro bands and a vibrating cock ring to the shaft. January is nice enough to show Steffy the electrified butt plug before inserting it. The plug and bands connect to a TENS unit that Isabella controls, while January holds the control for the cock ring. Electrical CBT seems to be a specialty for Isabella, who once again proves to have an inventive way of doling out torture that will make you squirm in sympathy – while also longing for her to do the same to you. Not one to neglect the discipline of her submissive, Isabella gets January on all fours on the bench, over Steffy, and paddles her. Now that’s multitasking in BDSM! Steffy’s trip through the portal comes full circle as she is put into a yellow inflatable latex suit on top of her body suit. She’s pumped up and left to writhe as the electrical stimulation courses through her genitals. Back in the hotel room, Steffy awakes in place of the traveling salesman, forever changed by the portal experience.
The Portal 3 is a sensual feast in a place where gender is fluid and tactile pleasures are most important of all. Everything is done with meticulous attention to detail, so if you love watching the process of getting dressed in latex, undressed, and prepared for the scene, then this is a perfect film for you. With almost no dialogue, it takes on a highbrow, surreal quality that Gwen Media has mastered.